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"From whom was that letter? Who is the person that Miss Lucy has fled to help? It cannot possibly be my son, sir. If he had met with a serious accident, would the ship have sailed? But even if he had met with a serious accident and left the duty of going to sea with the mate, would he have sent to Miss Lucy? I am utterly beaten. I see nothing, and can conjecture nothing!",

"Lord Garlies.",

It's a heap of trouble you've made, lad—,

Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?

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"Now young man," he said grimly, grasping one of Billy's hands and pulling it forward and out, "I'm going to drive that happy smile from your face.",

Above, on the placid slope of down close against Old Harbour Town, hung a straggler building or two, lonely in importance, or consequential in some trifling pomp of land; at the point of cliff on Old Harbour House side, a low, pursy lighthouse wheezed at night a[Pg 2] yellow gleam that was a home-greeting or God-speed to some five score fishermen who dredged in these and further waters; and on the brow confronting the lighthouse a venerable windmill revolved its vans against the sky.,

"So things went along fer a few years. Then come a letter from England to Roger Stanhope. Frank read it to me. Seems they wanted Stanhope back home, if he was alive; if not they wanted his son to come. Frank didn't even answer that letter. He says to me, 'Mr. Keeler, this spot's good enough fer me.' An' by gosh! he stayed.,

The picture was tender and mellow with colour: the springing lights of the early growths of the young year, the venerable face of the cliff as it swept from the slope of down where the windmill was to the beach, the slow motion of violet shadows over green distances;[Pg 12] and the impression of placid provincial life was heightened by the calm in the air which was scarcely vexed by the remote silver ringing of a chapel bell in High Street, Old Harbour Town.